Spinning for Warps

Has anyone spun Bamboo for their own weaving projects?

I have spun silk, cotton and all sorts of animal fiber (wool, alpaca, dog...etc.) However, I have fallen in love with this bamboo fiber, and was curious if anyone has had experience spinning and dyeing it. Specifically for warp use.

What about other fibers...maybe we can get a little discussion going about various fibers and how you spin them for warps.


Thank you,
Wefty Woman
One Warped Bitch

Weavolution

What does Weavolution offer that you cannot find anywhere else online?

1. Discover a dedicated gathering place for handweavers. Weavolution allows you to focus on your weaving. We are ALL weaving ALL the time. Nothing else.

2. Post your projects, looms, drafts, and yarns--all in your notebook called My Stuff. (And edit your information any time).

3. Upload images at 800 x 800 pixels, allowing you to record, share and view minute details of color and stucture (Tips on Pics under the Help tab).

4. Find roomy comment fields allowing up to 2000 characters and pictures to document your creative warping, weaving and finishing processes.

5. Click on any project picture or draft entered in the last month and it will automatically enlarge (Try a second click for even greater detail!).

6. We know what features are most important to handweavers: looms, drafts, images and a wide variety of groups to join and forums to discuss their interests with other weavers.

7. Calculate the materials needed for your next project with our enhanced Resources section or find a guild to visit on your next trip!

Why not give it a try? Join the Weavolution!

Thank you,
Wefty Woman
One Warped Bitch

Cool Weaving Pics:

Aren't these great pictures, This Shorpy.com site has many old weaving factory photos...most are of children working the looms.


Thank you,
Wefty Woman
One Warped Bitch

I have to share:

I have to scream this from the loom castles everywhere! This is my 10 year old daughter...and she is flying this plane by herself. I am so damn proud of her!








Thank you,
Wefty Woman
One Warped Bitch

Weavolution Official Press Release

Press Release
June 8, 2009
Contact: Claudia Segal (240) 994-3099
claudiajane@weavolution.com
www.weavolution.com
JOIN THE WEAVOLUTION
The new online gathering place for hand weavers
Weavolution.com, an online social network designed to meet the unique needs of
handweavers, launched its beta test on June 8, 2009. Designed to bring handweavers
together from around the world, Weavolution.com is a one-stop resource for every type
of handweaver.
From hobby to production, from peg to dobby, Weavolution provides a place for weavers
to meet, discuss and participate in moderated user groups and forums.
Members may post projects, looms, yarns, books, and accessories to share with others
and solicit feedback from other members.
But you donʼt have to be a member or even a weaver to explore the site and learn about
weaving free of charge.
Weavolution aims to become an inclusive, global community that encourages weavers
by enabling them to discover and follow trends in weaving; find local, national and
international resources; and find businesses catering to their needs. Weavolution
members can search the siteʼs databases to view items, group postings and research
information catalogued by others.
Weavolutionʼs goal is to provide a website for handweavers that is useful, fun and
helpful, and to be a resource for shops, products and ideas from around the corner and
around the world.
The project began in 2008 when three weavers from across the United States, Claudia
Segal, Tien Chiu, and Alison Giachetti, met online and formed Weavolution. Working
together with a host of dedicated volunteers, the team forged Weavolution.com into a
website with the potential to become a community.
Come, take a look. Weavolution.com is available for anyone to explore. You donʼt have
to sign up to see our site. But if you do, we hope youʼll decide to
JOIN THE WEAVOLUTION

Thank you,
Wefty Woman
One Warped Bitch

Weavolution.com Hurray!

http://weavolution.com/


Hot Damn!!!!!

Okay you fellow weaving bitches...get your asses over to Weavolution! It sure is pretty and I am so excited for Claudia, Tien, Alison and the rest of the Weavolution Gang.

Congrats!


Thank you,
Wefty Woman
One Warped Bitch

If you are in San Francisco...DeeDee?

Textile Arts Council presents:
Ethnic Dress in Northern Vietnam: Enduring Expressions of Cultural Diversity Serena Harrigan is a textile artist and independent researcher who currently serves on the Board of the Textile Arts Council. She is the founder of Textile Odyssey, an organization that bridges cultures through a common interest in textiles. She has traveled extensively into the remote regions of Northern Vietnam over the past ten years. The minority groups who call this mountainous region their home include the Black Lolo, the Flowery Lolo, the Hmong and the Lao. Geography has favored their ability to maintain ancient traditions of dress through the centuries.
Saturday, May 9, 10 AM
Koret Auditorium, de Young Museum

Free to TAC members, $5 for museum members & students, $10 general
415 750-3627 tac@famsf.org www.textileartscouncil.org


Thank you,
Wefty Woman
One Warped Bitch

If you are near Baltimore....

Thought I would pass this info on....




CELEBRATE THE FIBER ARTS AT THE BMA'S TEXTILE DAY ON MAY 17

>BALTIMORE, MD - Join fellow textile enthusiasts for a FREE day of
>workshops and demonstrations by experts at the BMA during Textile Day
>on Sunday, May 17. Participate in workshops exploring lace, embroidery,
>batik, beading, rug hooking, and many other aspects of the fiber arts.
>Exhibitors include the Baltimore Embroiderer's Guild, the Chesapeake
>Region Lace Guild, and the Baltimore Appliqué Society.
>Registration is not required, but please arrive early as space is
>limited. For a complete list of exhibitors and more information about
>the activities listed below call 443-573-1832 or visit
>artbma.org/calendar/events.html.
>
>Textile Day is supported by the BMA's Jean and Allan Berman Textile Fund.
>
>ALL DAY
>11 am - 5 pm
>Baltimore Album Quilts Revisited: A Matter of Style - View an intimate
>display of rarely shown 19th-century Baltimore album quilts and quilt
>squares. These extraordinary examples of textile art are on view at the
>BMA through August 23, 2009.
>
>WORKSHOPS
>11:30 am - 12:30 pm
>Screen and Block Printing with Sarah Templin - Learn the basics of
>screen printing and block printing on fabric, including developing the
>design, making the print negative, and printing on fabric.
>
>1 - 2:30 pm
>Antique Textiles with Caroline Hottenstein - Artist and collector
>Caroline Hottenstein shares her collection of antique hand-sewing tools
>and links them to different types of needlework. See fine examples of
>antique lace, embroidery, linens, beadwork, and clothing, and hear
>about the historical importance of needlework in women's lives.
>
>1:30 - 3:30 pm
>Indigo Dying with Louise Wheatley - Explore the dramatic and complex
>chemical process of indigo dying during this workshop. Learn about the
>plants that produce indigo and how to prepare an indigo dye pot, then
>see how color blooms on a piece of cloth that has been dipped into the
>dye.
>
>3 - 4:30 pm
>Batik Printing with Kathy Strauss - Join artist Kathy Strauss for a
>demonstration and talk about the history and art of batik printing, one
>of the oldest forms of fabric dying.
>
>3:30 - 5:30 pm
>Woodblock Printing with Jules Burrowes - Join artist Jules Burrowes as
>she demonstrates the process of creating relief wood blocks, then using
>them to print on fabric.
>
>MEDIA CONTACTS
>Anne Mannix, amannix@artbma.org
>Tarun Bhatnagar, tbhatnagar@artbma.org
>Sarah Pedroni, spedroni@artbma.org
>443-573-1870




Thank you,
Wefty Woman
One Warped Bitch

What does a warped bitch get on her birthday?

Well let see.....I would love to have a my big Glimakra Loom set up, I feel like weaving a rug in weft face so that I can pound the shit out of the web and pack that weft in tight. I would also like to put my Flamenco shoes on and stomp out some steps on the wood floor. Or...maybe bang some nails into a wall and hang my decorations up in our new home, meaning my parents house. Yes, let see how many of us are there?

My Ma and Daddy, my brother (with Downs), my 92 year old NaNa, Me, my husband, and my two kids....8 of us. At least the house is big enough. Damn, this economy better start to get going in a positive direction, or I will have to resort to some other form of warped technique to make a livin'...


Thank you,
Wefty Woman
One Warped Bitch

P.S.- I am 39 today, fuckin' shit!

Moving on down the line...

Well, this warped bitch has been busy lately. Moving to a new place. I guess we will see what this move will produce...as far as my weaving is concerned. We use things, situations and such as inspiration for our work. Whether it is weaving, painting. spinning, writing...just about anything creative.


I hope to get back to writing this blog each week as I have been doing. But till then, happy weaving..."motha fuckaz!"


Thank you,
Wefty Woman
One Warped Bitch

No new blog post this week...opps!

Hey, I have had a bitch of a week...this flu has completely knocked me on my ass...So I will have to put off this weeks blog post...

So I will make this an open blog post, as long as it is about weaving...have at it!

Thank you,
Wefty Woman
One Warped Bitch

Selfless Plugs Link your Weave Blog or Site...

Oh boy...this warped bitch has got lots on her plate. With so much to do, what the hell can I write about?

So I thought that it would be fabulous to turn this weeks post to you, my fellow warped bitches in crime...weavers have something about them that is very eccentric. I am not sure if it is a biological thing or not. We all seem to have that special something that makes us a little bit more "warped" then others.

Anyway, here is the deal. If you blog about weaving, have a site about weaving, have a shop online that sells your handwoven items or a Flickr site or group that pertains to weaving... please make a comment and post a link to your site or sites. Part of promoting weaving is passing on information that someone may find interesting.

I know there are lots of you out there, lets act like a crazed tribe of weavers on the web and bombard the net with links to our amazing art and craft...handweaving!


Thank you,
Wefty Woman
One Warped Bitch

Name Drafting-Warning Dirty Nasty Horrible Words! Use Caution When Viewing!

Slide Show of Dirty Nasty Horrible Words used as inspiration in Name Drafting


I got something special to show you, are you ready? Alright then...So you have someone who is a real jackass in your life? They could be a family member, friend, enemy...You could love them lots...or hate them with a passion. Then I have the perfect gift, a lovely handwoven scarf, blanket, or towel that utilizes words and phrases you would really love to say to these assholes...

These Name Drafts are very fun to do, and there is an endless variety of patterns that can be made.
I will explain how I did these drafts here and then you can use them however you like...If you are a nice and loving person you can create some beautiful things with children's names and birth dates, or a wedding throw for a happy new couple...I have done these in the past and it has been very satisfying. But this is a warped bitch blog, hence the nasty ass tone that I am using with these drafts.

As I wrote in my post of yesterday:

I was really into Name Drafting in 2000 and 2001...I made some lovely things, baby blankets mostly, that were woven using Name Drafting. I did not have any weave programs, this was done the old fashioned way on graft paper with color pencils. I remember riding the train into Manhattan from the station near my home in Newtown, Connecticut (Bethel Station). It was 11/2 hours at least to get into Grand Central one way. I would bring my big heavy pattern book, weave notebook, and grafting paper...with pencils and crayons...and work on patterns using names, dates, and loving terms of endearment. I would weave these patterns with love and give them as gifts to friends and family. It is such a beautiful thing to give something so personal and special to those you adore...But now things have changed, I have become jaded and pissed off...so with this new found angst (well it was always there but I had more control over it back then) I am off to see what lovely patterns can come of nasty words...Imagine giving a gift to someone you can't stand, like your mother-in-law who has always been a bitch to you. It is woven so carefully and a beauty to behold. Little does she know that the pattern you designed just for her is based on words that are coded and drafted to produce an ultimate insult...

Okay, so if you look here and here and here you will find some fabulous information about Name Drafting, these are serious and beautiful links. But I will go ahead and give you a quickie right here and right now...

I will use the first nasty expression for this example, because it is something I say to my husband on a daily basis. I love the bastard to pieces but he is a real idiot at times...

So I used the phrase "Fucking Asshole Shithead" "Damn You" as the "name" in my weave draft.

On a 8 harness loom with 8 treadles: Write out the alphabet then count to 8 and put this number beside letter, like so:

ABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789
123456781234567812345678123456781234

These do not line up just perfect but I think you catch my drift...yes?

So If you have a 6 harness loom with 6 treadles then you would count to 6 and put this number beside the letter, like so:

ABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789
123456123456123456123456123456123456

I guess you could really come up with your own code if you want, it is all in fun anyway so why be a stickler for perfection...



The above picture is one repeat of this pattern below, I have color coded the words and numbers to the thread colors above.

This is the top series of numbers in the picture, the threading sequence.

Anyway, I took the phrase FuckingAssholeShithead and translated it into this: 6533167133874538148514
I then added a number before and after these core numbers to help balance the pattern out, so that 2 warp threads are equal to one letter, you got it? So the threading pattern became: 67452334815678 12342381673456 2378813478561245


This is the right side series of numbers in the picture, the treadle sequence.

So then I took the phrase DamnYou and translated it into this:
4156175
I then added a number before and after these core numbers so that two weft threads are equal to one letter. So the treadling pattern became: 34124567 817845

I had the tie up on this particular draft set up as a plain weave...so there it is.

The patterns I have done are as follows:

First nasty expression, "fuckingassholeshithead" used as warp threading, "damnyou" used as treadle pattern in a plain weave tie up.

Second Nasty Expression- Inspired by origanidog.blogspot.com "feralcvntass" used as warp threading, "fuckyoubitch" used as treadle pattern in a basketweave tie up.
(And as a side note, I have edited the c-word to use a v were the u should be...because this word may be so vulgar that even a warped bitch would wence when saying it...well...actually... no I wouldn't, but for the sake of those who would be offended...)

Third Nasty Expression For Mrs. Warp: Using "fuckyoubitch" for both warp threading and treadle pattern, in a 2-2 Left Twill...I know just how much Mrs. Warp loves these twills

Again the link to the Flickr pictures is: http://www.flickr.com/photos/paintedbull/sets/72157613941288286/detail/

I also want to link up the demo I used for the pictures, I loved this program and have to add it to my wish list:
WEAVEITPRO6

Thank you,
Wefty Woman
One Warped Bitch

-----------------------------------------
I added a new pattern...Give it a look see---> http://www.flickr.com/photos/paintedbull/3287139881/in/set-72157613941288286/

The Ultimate Insult: Coming Soon!

WeftyWoman.com is taking on Name Drafting...
So be sure to check back this week, for some interesting weave drafts and a new blog entry that should tickle your fancy. I am working on a new blog post: Name Drafting, Insult Someone With Weave Patterns That Are So Nasty, But Look So Good!

I was really into Name Drafting in 2000 and 2001...I made some lovely things, baby blankets mostly, that were woven using Name Drafting. I did not have any weave programs, this was done the old fashioned way on graft paper with color pencils. I remember riding the train into Manhattan from the station near my home in Newtown, Connecticut (Bethel Station). It was 11/2 hours at least to get into Grand Central one way. I would bring my big heavy pattern book, weave notebook, and grafting paper...with pencils and crayons...and work on patterns using names, dates, and loving terms of endearment. I would weave these patterns with love and give them as gifts to friends and family. It is such a beautiful thing to give something so personal and special to those you adore...

But now things have changed, I have become jaded and pissed off...so with this new found angst (well it was always there but I had more control over it back then) I am off to see what lovely patterns can come of nasty words...

Imagine giving a gift to someone you can't stand, like your mother-in-law who has always been a bitch to you. It is woven so carefully and a beauty to behold. Little does she know that the pattern you designed just for her is based on words that are coded and drafted to produce an ultimate insult...


Thank you,
Wefty Woman
One Warped Bitch

Attention Master Weavers! Your expertise is required!

Attention Master Weavers! Your expertise is required!
For a New Study Group on ComplexWeavers.org!

Hello, I have been working on a Study Challenge for weavers interested in Complex Weave Structures on Simple Looms
and it seems to be taking a new direction.

I am starting a new study group on Complex Weavers.org
http://www.complex-weavers.org/index.htm

These study groups on ComplexWeavers are a serious endeavor...as you can
see from the requirements and policies they have regarding setting up
a new group.

http://www.complex-weavers.org/newgroup.htm

Attention ya'll....

So this is a call out to all you weavers out there...I am in search of
your expertise in complex weave structures on simple looms, like
Backstraps, Inkles, or Rigid Heddles...

These complex weave structures include double and triple cloth,
various supplementary and complementary warp and weft woven structures
using pick-up technique and finger manipulation and multi-loop
heddles, as described in depth by Adele Cahlander in Double Woven
Treasures from Old Peru. As this book will be the text used to study these woven structures.

http://www.amazon.com/Double-Woven-Treasures-Old-Peru/dp/0932394051/r...

I will be the administrative and study group chair, but I need a
mentor to be the go to person and help with any questions or issues
that may arise in the study group regarding the actual weave
structures.

Please contact me if you are interested volunteering a little time to
promote the craft of weaving.

If you are a member of a weave list or guild that may have someone who
would like to participate as the study groups mentor please pass on
the information on to them. In other words...shout out this request
to all that will listen....Master Weaver, please share your knowledge!

My email is jj@weftywoman.com

Thank you,
Wefty Woman
One Warped Bitch

----------------------------------------------------------------------------------------------------------
I would like to edit this post and add some new information. See the email correspondence between the ComplexWeavers.org Study Group coordinator, Sara von Tresckow and myself regarding the new study group...I am very excited. I will be completing the questionnaire shortly and keep you posted on the progress of the new group. So, let the games begin!!!!!!!!!


Sara:

I am writing you regarding the organization of a new study group for Complex Weavers. Sheila Carey suggested I contact you about a Simple Looms Study Group of Complex Weave Structures.

These complex weave structures include double and triple cloth,
various supplementary and complementary warp and weft woven structures using pick-up technique and finger manipulation and multi-loop heddles, as described in depth by Adele Cahlander in Double Woven Treasures from Old Peru. As this book will be one of the text used to study these woven structures.

Other examples of these complex woven structures on simple looms, such as Rigid Heddles, Inkles, Ground and Backstrap looms will be those discussed by Peter Collingwood in The Techniques of Rug Weaving. New York: Watson-Guptill, 1968. Pg 449-451. And also various finnweave pickup techniques.

I have a few members of ComplexWeavers.org who have already expressed an interest in joining a study group as this.

Please let me know if this study group seems like a viable and acceptable new study group for ComplexWeavers.org, so that I can continue with the process of setting it up. I realize study groups on ComplexWeavers are a serious endeavor...as I can see from the requirements and policies you have regarding setting up a new group.

Thank you, JJ Walts

JJ,
Now that sounds like a concept. While I weave on everything from an Inkle to the TC-1, I am also very aware of the complexities of weaving on simple looms.
In my eye, the richest as well as the simplest weaves can be made on a set of strings attached to cross members - tabby, tapestry and knotted pile. Add the Peruvian double weaves in there - and there is a concept - one that can even be enhanced by the use of design software to quantify complex patterning before it is woven.
You would be a wonderful antidote to the "I have 40 shafts and don't know what to weave" crowd.
Please go out on the CW web site, fill out the questionnaire, and we can begin. Publicity will be a bit of an issue as the Feb. Journal has already gone to press. The next one is due out in June.
Oh, you'll also need to join Complex Weavers if you have not already done so.
Looking forward to hearing more from you.

Sara and Hans von Tresckow
The Woolgatherers
Fond du Lac, WI

Visit us on the web: www.woolgatherers.com

Warp’s up? What’s News in Weaving?

I love the web, and by this I mean the internet…Just look at the interesting things you can find regarding weaving in the news around the world.

I have Google Alerts set up to send me links to sites that have recently posted news articles regarding weaving, so I thought I would post a few links that perhaps might be of interest to you.

Thoughts on the importance of keeping the traditional weaving arts alive….

This group of links are a combination of news articles, opinions and blog post that discuss the current conditions of weaving tradition, and the steps that some are taking to make sure the craft does not become a forgotten art. Some discuss the economic and financial conditions that also affect those weavers of cloth in various textile production industries and countries.

http://www.manilatimes.net/national/2009/feb/06/yehey/opinion/20090206opi4.html

http://www.workingwaterfront.com/online-exclusives/North-By-Northeast-Wabanaki-Akwesasne-Mohawk-and-Tuscarora-Traditional-Arts/12907/

http://spoonfeedin.blogspot.com/2009/02/india-as-looms-go-silent-in-benaras.html

http://showbizandstyle.inquirer.net/lifestyle/lifestyle/view/20090202-186873/Symposium-on-traditional-textiles

http://www.modernghana.com/news/201291/1/mercys-reflection-of-how-ghana-could-emulate-tunis.html

http://www.canada.com/zeal+Zealand/1249054/story.html

Weaving as a business and passing on the weaving culture to the young generation….

A few tidbits of news that examines the art of weaving as a business, and passing on the craft to other generations as a source of income and celebration of heritage.

http://www.thejakartapost.com/news/2009/02/06/weaving-a-colorful-business.html

http://feetin2worlds.wordpress.com/2009/02/01/immigrant-family-keeps-the-art-of-rug-weaving-alive-in-detroit-martina-guzman-on-wdet/

http://educationandmore.wordpress.com/2009/01/31/back-across-lake-atitlan/

http://www.thestate.com/statewire/story/677380.html

Weaving and Textile Exhibitions and new ideas regarding textiles and cloth…

A couple exhibitions that may be of interest for not only traditional weaving and textiles, but new uses of the textiles to convey an idea or incorporate technology.

http://www.dubaichronicle.com/hh-sheikh-majid-bin-mohammed-tours-carpet-oasis/

http://www.lyonswierortt.com/Narrative_Thread/index.html

http://features.csmonitor.com/innovation/2009/02/04/interactive-fashion-lets-costumers-wear-devices-on-their-sleeves/

These are just a few of the current and new findings on the internet, so if you have a link to a news article or exhibition announcement post it here in the comments.

-Wefty Woman

One Warped Bitch

Double Weave, is it double the trouble or double the fun?

Please note that the below post in orange was written by Ms. Valerie Streck, I am so grateful to this fabulous woman for letting me quote her quick comment to a post on an ArtFire forum about a possible Double Weave study group. I have found someone who I am bound and determined to get back into weaving (in some form or another.) So here is Vall, and she has some shops on Ebay and ArtFire that you may be familiar with and I feel that her description of Double Weave deserves its very own blog post. As with others before, you bet your ass, I will give Vall a gratuitous Wefty Woman plug, so y'all be sure to visit her sites, and dammit buy something!

Thank you,
Wefty Woman
One Warped Bitch

**This post is sort of a Part 2 to this one: Primitive Looms and Complex Weave Structures

------------------------------------------------------------------------------------------------------------------------------------------

Hello guys. I’m an ex weaver. I still own a tapestry loom and a small 4 harness table loom, but used to have a beautiful 8 shaft massive colonial Leclerc loom. Had to give it up due to my back not liking it as much as I do. Double weave is actually very easy. It is weaving a folded piece of cloth. It allows for simple, or complex designs (depends on how may harnesses you use) that can be made in widths 2x as wide as your loom.

There is a great book out there called Double Weave Plain and Patterned by Harriet Tidball and I got my copy at www.camilliavalleyfarm.com

To try and explain it (ok, I am not the best at this) in a plain over and under simple weave you use a repeat of 2 warp threads. (Warp is the threads on the loom under tension; weft is the thread that you weave in and out) Simple weave: over 1 under 2 over 1 under 2 repeat... I hope your following me here. A double weave uses 4 warp threads for a simple over and under. Threads 1&3 are the top layer and 2&4 are the bottom. Basically, you’re dividing your warp threads into 2 single layers. This is much more easily done on a harness loom (you need 4 harnesses) but with a bit of skill, a bit of swearing, head scratching and possible the help of string headles you can pull on, it can be accomplished in a rigid heddle and other simple looms.

I’m not sure if that helped at all.. I wonder if there a you tube video.. off to go see..

Just forgot to add.. Double weave is also used to make tapestries that show up on both sides of the cloth. In that instance you use two different colors for your warp threads 1&3 are one color and 2&4 are another. By picking up the design with sticks (I used to use knitting needles), you can bring the bottom layer up and the upper layer down. In this method, you can use any charted pattern. There’s three main types of tapestry double thread pick up. Single thread, double thread (Mexican) or Finnweave. Finnweave isn’t reversible.

I really miss weaving now.

Basically, most double weave pick up methods form an x. I would have to see a diagram or something. There are lots of forms of DWPU (double weave pick up). Some also use more than 2 layers.

In Toronto, there’s a textile museum that has some historical examples of different dwpu's and I believe the V&A in London does too. I believe the Cooper Union Museum NY has some pieces too.

In the book Double Weave Plain and Patterned, she has pictures of primitive Peruvian looms using the dwpu method. From the picture, it looks like they have simply used 4 sticks as harnesses and have used string headles. By simply pulling up on the harness sticks, you make the shed. Primitive genius.

There’s a good 7 pages of the history and methods of DWPU in the book.

If you have a loom, you really should try it... at least once. It is a lot of fun! I still have a few rugs, table runners and purses I made in DWPU.

-Vall Steck

-------------------------------------------------------------------------------------------------------------------------------------------------

Is this not a fabulous explanation, and to think the woman wrote this on the fly in a damn forum post...imagine that!!!! I love this woman!

And now for the gratuitous plugging....

Vall's shop is called Chivalry Beads and she sells on ArtFire.

(Dang if it does not have "val" in the shop name, very clever!)

She also has a blog, so be sure to do your best and follow what she has to say!

The following are links to her blog and sites, and thank you again...you warped bitch ya!

http://www.chivalrybeads.blogspot.com/

http://chivalrybeads.artfire.com

http://stores.ebay.ca/ChivalryBeads

Primitive Looms and Complex Weave Structures

I am currently beginning to research for a paper or possible article on
comparative woven textiles and culture of various indigenous tribes
throughout the world, specifically regarding the women that weave
these items. Not just the actual weave structures, but the
anthropological aspect of the similarities of these various ethnic
groups. I would like to trace the possible movement regarding the
"culture of warp faced textiles" and relate this to the spread of
peoples, beginning in Africa through to the Middle East and Central
Asia and follow this as it spreads through Northern and Southern Asia,
into Indonesia, as well as into North America, Central America and
South America.

I was reading in Shuttle Spindle & Dyepot (Fall 2008)
about an exhibit currently being shown at the Textile Museum in
Washington, DC.
The article entitled, Timbuktu to Tibet: Rugs and Textiles of the
Hajji Babas, written by Sumru Belger Krody (Shuttle, Spindle, &
Dyepot, Volume XXXIX No. 4, Issue 156, Fall 2008, Handweavers Guild of
America, Inc., pages 29-32).
I have to say the first few sentences really got my attention.
"Textiles, the most universal of all art forms, tell stories about the
lives of people worldwide. As social currency, they contain embedded
messages about an individual's wealth, social status, occupation, and
religious and ethnic associations, as well as the values, codes and
social order of a culture." (p. 29)
This really made me think about the comparative weaving structures,
techniques, and symbolism of various Ethnic Styles of weaving. Navajo,
African Tribal, Peruvian, Arabic, oh there are so many to list, but I
think you get the idea of what I am trying to say...
Because the article was featuring many central Asian woven art, I
became really interested in the Arabic weaving of the nomadic tribes
of the middle east. Many of you may understand what triggered inside
me. I want to learn more about the weavers and the work they produce.
I have studied about Navajo and African textiles, but this was the
first time I actually became aware of the Arabian weaves, almost
entirely produced by the women of the tribe.

So, I have been starting my research on comparative weave structures in indigenous cultures….and I have found some information regarding the use of ground looms and backstrap looms to make a complex cloth such as Double Weave. There is a simple way to produce a single weft double weave on a loom that does not have multiple harnesses. It is a weave structure that is achieved on different continents on the globe. In Northern Africa, Middle East and South America. I am talking about a warp faced double weave that has been discussed by both Martha Stanley and Peter Collinwood.

Stanley, Martha. "The Beduoin Saha Weave and its Double Cloth Cousin", In Celebration of the Curious Mind edited by Nora Rogers and Martha Stanley, Interweave Press, Inc., 1983. Pg 68-79

Collingwood, Peter. The Techniques of Rug Weaving. New York: Watson-Guptill, 1968. Pg 449-451.

This one weft double weave has also discussed in by authors Irene Emery, Ann Pollard Rowe, Grace M. Crowfoot, and Marjorie Cason and Adele Cahlander. I am in the process of tracking down these sources so that I can add them to my research.

I am fascinated by the advance structure of this weave, and how it was discovered. I would love to participate in a group that studies this specific weave structure on simple looms. There are many study groups on double weave that are made by using a loom with 4 or more harnesses. However, I have yet to find one specifically for double weave on a primitve loom.

Since this is the beginning of my journey, I would like to open this post to discussion. Any suggestions or perhaps directions I can look into to find someone to study this technique with please post a comment.

-Wefty Woman

One Warped Bitch

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I have found someone who I am bound and determined to get back into weaving (in some form or another)

Her name is Vall, and she has some shops on Ebay and ArtFire that you may be familiar with. I am adding an additional post to Wefty Woman because I feel that her description of Double Weave deserves its very own section. So please be sure to read this additional post : Double Weave, is it double the trouble or double the fun.

As with others before, I will give Vall a gratuitous Wefty Woman plug, so y'all be sure to visit her sites, and dammit buy something!

-Wefty Woman, Your most humble warped bitch...

Sley the Dent and Warped a Dog

So I was thinking about the strange terms that we use in weaving. Some of them have made it into everyday language. For example, "it will all come out in the wash" is a phrase that is attributed to weavers. When you take a woven piece off the loom, part of the finishing is to rinse or wash the item. This sets and evens out the weave so that if there was a little oppsie you did while weaving it on the loom, it would work itself out or "come out in the wash".

What other phrases or terms of endearment can you come up with?

We already have a wonderful explanation of the phrase "Sley the Dent" from Dawn of www.sleythedent.com

I will copy her comment here:

Oh wow. As my weaving studio is called "Sley The Dent" and my son develops computer games for a living, I'll have to ask him when "Warp Drive Mario: Sley the Dent" is being released! What a hoot!
I can see the potential, can't you weavers?! For me "sley the dent" brings to mind my inner-Athena defending my loom from warp tangling goblins. Syne must have had similar thoughts for her pod-cast-drama "Buffy the Reed Sleyer".
Oh, I can see a fun (and educational!) weaving game. Go-go-weaving-gadget? Eliminate warp tangling goblins while you make your way through the game levels, wrong answers result in broken warp threads: (1) pick colors for your warp, from the 2000+ pantone possibilities, see how the colors interact when placed beside one another in a virtual warp wrapping. (2) learn about sheep, goats, pineapple, rabbit, bamboo, silk worms, cotton, yak, bison, rayon, nylon, tencel, possum, llama, alpaca, linen, hemp, ramie, and plarn as you pick out fibers for your warp and weft.
(3) Learn about being "green". What does it mean to be an organic cotton or organic wool? What are good fiber growing and dyeing practices vs un-healthy or non-ecofriendly ones? (4)Exercise your mathematical brain bits while you learn about epi, ppi, take-up, tex, shrinkage, yards/pound, meters/kg, and the mystifying 20/2 vs 2/20. (5)???

*A dent is a space in the reed, the reed is a part of the beater. The reed keeps the warp threads spaced in a fixed density. To sley is the act of threading a warp thread through a dent space in the reed. One of the many steps in warping a loom, before you can weave on it.

I think this new idea for a video game is brilliant.

Here is another: "Warped a Dog"

This is when you take an enormous amount of time and planning on paper (but more than likely you did not do a sample swatch) and you warp up a loom to begin what you envision will become a masterpiece. However, your hopes are dashed when you begin to weave and you realize it is going to be one ugly work of crap...(I'm sorry craft.)

So what do you do? Well, after it sits for a while on your loom collecting dust (cause you are totally disgusted with it, but the thought of wasting that yarn keeps you from putting it out of its misery) you get up enough nerve to take those big Gingher Scissors...you know, the ones that are sharp as hell...and you free yourself from the disappointment and frustration of that "dog". You cut that ugly warp of your loom and breath a sigh of relief.

We have all experienced this, in fact I have a "warped dog" starring me in the face right now. Which, I am getting prepared (in other words, building up the courage) to brutally remove from my loom after I finish writing this post.

What other phrases can you come up with?

Start those fingers moving and post one hell of a creative comment. That is my challenge to you, now get on it!

Thank you,
Wefty Woman
One Warped Bitch

*Edited to add an actual definition of the phrase "sley the dent"

WTF? Don’t know much about woven cloth…

Now, I realize there are many people who know fundamentally, what exactly is woven cloth; however, what really struck me is how many people do not…

This age of instant gratification and consumerism that we live in has made many of the handicrafts that were once a necessity, something of nostalgic hobby. Whether it is spinning fibers into thread or yarn, and weaving this homespun into cloth to make clothing, blankets and towels… or countless other functional items such as handmade soap, candles, paper, glass, metal pots and pans, wooden bowls. (And let's not forget another homemade specialty that has been popular and essential for generations in my Appalachian backwoods mountain home…moonshine/alcohol.)

Many people, and I would even venture to say that includes many crafters, seem to be ignorant (or perhaps indifferent is a better word) to the amount of time, energy, and skill our ancestors needed to produce a single garment or piece of clothing.

Just this week I have been teaching my son and daughter, they are eleven and ten years old by the way, how to warp and weave an Inkle Loom. It is wonderful to see the excitement and joy of accomplishment by weaving all on their own. My kids understand the degree of complex knowledge and skill involved in producing cloth from raw fiber. They appreciate the time and energy that goes into making that handwoven textile.

Many in my little covert circle of rouge weavers have discussed this very subject.

So…I urge all those who acknowledge this indifferent and ambivalent attitude toward producing handwoven goods:

"Hey get your thoughts together, stop Googling the porn...join in on this discussion and leave a comment dammit!"

What observations have you made about the a lack of understanding within the general public regarding handwoven goods and the amount of skill and effort that goes into creating that wonderful scarf or warm blanket?

Education seems a key component in demonstrating respect and recognition of our particular handcrafted art form…weaving. Let's discuss ways to make a difference and get young people excited and genuinely interested in learning the process of producing textiles.

Any ideas on how we can get these texted crazed youths, working and manipulating threads with those amazingly fast speed fingers?

Cause I sure as hell don't see a new Nintendo Wii game called "Warp Drive Mario: Sley the Dent" being released anytime soon…

-Wefty Woman

One Warped Bitch

A better description of Wefty Woman.

I have had a few days to think over what it is I want to achieve with this blog. And I wanted to explain more of what direction I want to take this blog towards.

The format for Wefty Woman is simple, think of it as an open discussion and exchange of ideas. Weaving was a skill that was taught by passing down the techniques and tips from one experienced weaver to one who is just beginning. Weaving is also an ongoing challenge of knowledge. We learn new things all the time from other weavers. That is how I see this blog. It is for weavers and non-weavers, experienced and beginner, to come together and just talk back and forth about the topic at hand.

I will not post a blog entry, and then proceed to write a full essay about the topic. I want to learn from reading the words written by the readers of this blog. So use the keyboard, and spend a little of your time writing a comment, to pass on what you have learned to others. Teach me what you know by posting comments, let me learn from others by making comments and asking questions. We may not be sitting next to each with a warp out stretched before us...times have changed...but the idea of learning from one another has not.

I will make a new blog post every few days, usually a short introduction of the topic...and end it with questions to get the conversation going. I want visitors to the blog to learn about weaving by listening, or in this case, reading what experienced weavers have to say.

Thank you,
Wefty Woman
One Warped Bitch

Shadow Weave, sounds like a real cool super hero with hair extensions!

So, I would like to welcome everybody to the another Wefty Woman Blog post.

The subject is Shadow Weave. The example above shows a shadow weave in progress.

I want to extend my thanks Ms. Felicitas Sloves. She has been so kind as to suggest this topic and allow me to use her fabulous pictures.
Do I appreciate her for the use of her images and information on warping a loom front to back? Damn right I do.
Will I be so bold as to plug her sites and blog and shops on my Wefty Woman Blog? You bet your ass I will.



That said, here is a link to her Flickr site in which she has produced a series of photographs called "Steps for Dressing a loom front to back". The warp she is using in this demonstration is for an "8-harness shadow weave pattern".


Steps for Dressing a loom front to back


So what exactly is Shadow Weave? According to Ralph E. Griswold, in an article, cited here:

http://www.cs.arizona.edu/patterns/weaving/webdocs/gre_shad.pdf

"A Shadow Weave
Weaves of this type produce the appearance
of shadows (which are more obvious on actual
woven fabrics than in images) by alternating light
and dark threads in reverse orders in the warp and
weft."

So here are my questions to get the discussion rolling.

Can anyone explain a little more about this pattern of weave?
Is a shadow weave limited to a loom with 8 or more harnesses? Can it be done on a loom with only 2 harnesses?
Is this different than say a Summer Winter pattern?

And now for a gratuitous plugging, the "warped bitch" way:
Get your finger (I am sure you are aware of which finger I will be using...) and click on the following links for Felicitas Sloves:

Website:
http://www.memphisweaver.com

Etsy Shop:
http://memphisweaver.etsy.com

Blog:
http://www.memphisweaver.wordpress.com

And with that I give you the floor...

- Wefty Woman
One Warped Bitch

Crochet and Knitting are not Handwoven...continued

Okay, here is the first topic of discussion for all of those denied access to a very interesting discussion.

I am giving a link to a thread on Etsy that was entitled "Crochet and knitting is not handwoven!" that was OP (originally posted) by CoffeeBreaksDesigns


So, where were we?

The discussion was on the the difference between various forms of fiber art. Some of those being Crochet, Knitting, Handwoven, Bobbin Lace, and Macrame. The main question being, what technique would warrant a handmade item considered a truly "Handwoven" piece of work?

I would like to post the definition that I have found for weaving that I felt was a good starting point.

"Weaving is the process of interlacing one set of threads, the warp, with another set, the weft, which is inserted at right angles to the warp. The loom is the means of keeping the warp threads under tension in a parallel order, and the use of the loom, with its two sets of threads at right angles to each other, sets weaving apart from other methods of producing textiles, such as knitting, knotting or crochet."

Quote above from The Art of the Loom, Weaving Spinning & Dyeing across the World, by Ann Hecht, Page 9,The British Museaum Press, 1989.

Now, Ms. Hecht gives a very good definition of the structure of "weaving", in that there are "two separate threads crossing at right angles to each other."

I feel the loom is a tool utilized to give more control during the process of weaving. A woven item is not only made with threads of fiber. Think of other types of media that can be woven...

I see handwoven, as a structural form where two forms of media are used to intersect each other at right angles to form a whole new tangible/physical/functional item.

That would encompass many forms of a finished product...

So I put this to all you new readers of this covert weaving blog.


Thank you,
Wefty Woman
One Warped Bitch

What is this crap about?

Hello everybody,

I am riding the wave of attention that has befallen on me, and using it to my advantage. So I like to announce this new blog, it is but a drop of water in the comprehensive ocean that is the "blogosphere"...
(note to all that little reference to Charles Dickens)

I am a woman on a mission. I want to get people excited about weaving. It is a real interesting subject, and a great craft or hobby to "get into".

Just a word about my weaving blog. It is "my blog", so I will make it plain to all that I am a loud, crass, 38 year old woman that will cuss and curse...that is who I am. However, it is not directed at anyone personally or said to offend anyone...this is how I talk and dammit, this is how I write...

I want this blog to be fresh, blunt and fun...perhaps injecting some youthful spark of interest in the weaving community.

Lets face it, as a fellow weaver has pointed out to me...the average age of a weaver is in the 50's. So...Lets take a bold step and get a little crazy about weaving.

Let yourself go and have fun and promote your craft.

Weaving is fun, dammit, it may not be sex, but humans have been doing it since prehistoric times...

Thank you,
Wefty Woman
One Warped Bitch

***Please note that I have enabled comments to be posted immediately, and with no supervision and or pending approval. Therefore, I will not be a baby sitter. You are free and encouraged to use whatever is at your disposal, in so far as language is concerned. I will say that if there are any comments that are considered threats or in anyway seen as having a direct negative impact on any of those who post a comment on this blog, I will become a raging lunatic and scream like a banshee! I will delete the post and ban the particular asshole for life...so there is what I consider to be a fair warning. All I ask is that we be able discuss, agree and disagree, kid around, be funny and satirical, argue and compel each other so that perhaps someone will become interested in weaving, and may just one day be the next Peter Collingwood, Theo Moorman, or Mary Atwater of our generation! And so with that I give you the floor....